By Benjamin Sunday
For a film that features kidnapping, impalement, and nonconsensual brain surgery, it’s striking that the most uncomfortable scene in Jordan Peele’s Get Out is that of a racially awkward garden party. As a special guest of the white host Dean Armitage (Bradley Whitford), black photographer Chris Washington (Daniel Kaluuya) is singled out and forced to tolerate Armitage’s peers while they openly fetishize his race. The one exception to this behavior is Jim Hudson (Stephen Root), a blind art dealer who ignores Washington’s ethnicity while praising the younger man’s pictures of urban life. Hudson’s compliments identify him as an ally who recognizes Washington for his creativity instead of his color, making it that much more surprising when Hudson pays Armitage to transplant his brain into Washington’s body and steal the artist’s “eye.” Instead of elevating him out of the second class, Washington’s gift only invites his victimization by a man who sees the black artist as a talent, but not as an equal.