Author: Joey Katz

November 20, 2018 / / Main Slate

Akira Kurosawa’s storied career is exemplified not just by his cinematic masterpieces, but also how he subverted genre film. From detective noir like Stray Dog to thrillers like High and Low, he never shied away from challenging how audiences experience familiar genres. Never is this more on display than in his 1961 film Yojimbo.

The film is part of the jidaigeki genre, which encompasses period pieces set during the Edo period (1603-1868). More specifically, it is part of the chanbara (samurai) subgenre. Typically, films in this subgenre follow valiant warriors, whose moral code shines through from the very beginning and never wavers. The violence on screen is meant solely to entertain. Rarely do we see critiques of this, but in Yojimbo, Kurosawa steps up and calls this into question.