By Matt Hannigan
In many instances a film is like a con. It wants to hook you, it wants to make you personally invested in the outcome, and it wants you to walk away with a smile on your face and slightly less in your wallet. If the endeavor is a success, there will always be enough to suggest that the artist—the film artist or the con artist—knows a truth that you do not. If the endeavor is unsuccessful, the feeling of being cheated will linger and frustrate.