Perhaps no other art form is as native and organic to humanity as dance. Preceding the notion of art, our physical presence and movements reveal our most primordial, expressive instincts and amount to the most sublime expressions. As such, the translation of dance onto film has long mystified cineastes, who grapple with capturing its red-blooded nature without resorting to mere documentation. Despite the hardships, avant-garde filmmaker and dancer Maya Deren innately understood that the filmic space should appropriately match the world of the dance: one that fundamentally blurs the line between “real” expression and poetic creativity, between everyday gestures and rhapsodic movement. Fascinated by the intersection of the two forms, she eloquently elaborated upon her views in her Anagram of Ideas on Art, Form and Film.