Tag: Bill Murray

December 18, 2014 / / Main Slate

groundhog-day

In scientific theory, a time loop occurs when a length of time repeats continuously. Cinephiles may experience the sensation of being trapped in some sort of time loop when engaged with the monotony of popular cinema, and that notion is an essential part of what makes the duality of intelligence and entertainment in Harold Ramis’s GROUNDHOG DAY so successful.

December 16, 2014 / / Main Slate

still-of-bill-murray-and-carol-kane-in-scrooged-1988-large-picture

“I’m feeling really weird about tonight.”

Few Christmas films balance the magic of the holiday with being a good film. I watch certain Christmas films repeatedly because of nostalgia or to get swept away with the love of the season, but SCROOGED is different. SCROOGED is funny, touching, and satisfying.

December 20, 2012 / / Main Slate

Lost in Translation – 2003 – dir. Sophia Coppola

Lost in Translation, Sofia Coppola’s tale of two lost souls in Japan, is a touching parable of loneliness and companionship among a sea of strangers.

Neglected newlywed Charlotte (Scarlett Johansson) has a husband, John (Giovanni Ribisi), a workaholic photographer who largely leaves Charlotte to her own devices. She spends her days at first lounging around a hotel, initiating a warm friendship with actor Bob Harris (Bill Murray) and ultimately expanding her radius of exploration to Tokyo and its surrounding areas.

May 29, 2012 / / Main Slate

The Life Aquatic with Steve Zissou – 2004 – dir. Wes Anderson

Among the star indie directors that emerged in the 1990s, Wes Anderson probably has the most consistent and recognizable style. A comprehensive exegesis of his tics would take all day, so I’m just going to focus on a single film that I happen to love and defend a specific theory on it: The Life Aquatic With Steve Zissou was actually directed by a child.

November 14, 2008 / / Film Notes

By Jessica O’Byrne

The Life Aquatic – 2004 – dir. Wes Anderson

Since its first release in 2004, The Life Aquatic with Steve Zissou has proven itself to be a large draw for commercial moviegoers and indie film fans alike. Its original Christmas Day release unconsciously reflects an epic subtext found in the film that is thankfully downplayed by the always awkward and affably charming (and above all talented) cast. The film, which chronicles the making of a documentary about Steve Zissou’s (Bill Murray) quest to hunt down the “jaguar shark” that killed his best friend, utilizes a variation on the traditional quest pattern to draw viewers in and align them with Zissou’s zany crew. Several subplots run alongside this main storyline, which I will leave you the pleasure of discovering for yourself when you watch the film. The Life Aquatic’s true triumph lies in its ability to portray largely absurd (and, particularly in the case of Zissou, often obtuse) characters that are regardless almost universally relatable. While laws, physical and otherwise, in the film are not always on par with the laws of our own universe, The Life Aquatic nevertheless takes place in a world that most viewers are ready and able to relate to.