Auteur of neurosis Woody Allen’s latest film, BLUE JASMINE, is ostensibly an updated take on Tennessee Williams’ classic play A Streetcar Named Desire. The similarities are hard to miss: there’s the former society gal staying with her sister in a tiny apartment and dealing with her sister’s boorish lover. This posthumous collaboration between Williams and Allen struck me as rather odd at first. Williams’ plays are Southern gothic tragedies, full of unrequited longing and dark secrets. And Woody Allen is MANHATTAN, MIDNIGHT IN PARIS and HANNAH AND HER SISTERS. Williams is hot, sticky Louisiana and Allen is New York, London and Rome.