Tag: cinema

March 29, 2010 / / Main Slate

By William Benker

Seven Samurai – 1954 – dir. Akira Kurosawa

The philosophical insight Akira Kurosawa unleashes in his epic Seven Samurai stands above most war films ever produced.  Though the portrayal of war is common among films, the true essence of conflict itself is often times overlooked.  The manner and tempo with which Kurosawa delivers his epic is where the message emerges.  With a steady pace and extensive view into every facet of struggle, the director breaches the threshold of cinematic philosophy into a new realm of artistic meaning.  In 16th century Japan, the framework of conflict is embodied within seven selfless warriors who use all of their abilities to defeat a clan of bandits.  Kurosawa’s stark vision of life itself is extrapolated in the picture.  Constantly put into question by smaller battles along the way, the director paints a decadent landscape of morality, giving audiences the very essence of cinema and story in its most ancient form.  Seven Samurai is a perfect step-by-step guide into the very heart of conflict.

June 30, 2009 / / Main Slate

By Peggy Nelson

The Last Picture Show – 1971 – dir. Peter Bogdanovich

The Last Picture Show (dir. Peter Bogdanovich, 1971) presents the enigma of the old western wrapped in the mystery of the new.  Set in the early 1960s in a windswept Texas town — the kind of small town that springs up on the way from somewhere to somewhere else — the story focuses on two high school seniors, Sonny and Duane, co-captains of a football team so monumentally inept that at one point they manage to lose 121 – 14.  The future they face seems as bleak as the empty streets in the town and the endless flat plains of the surrounding land.  They sense it as they stumble through the paces of late adolescence: girlfriends, jobs, uncertainty.