Pop culture is currently enjoying a thriving fascination with the potential humanity of artificial intelligence and androids. Spike Jonze’s Her (2013) and Alex Garland’s Ex-Machina (2014) both explored the capacity for romance between humans and human-made creations. Even TV shows like Black Mirror and HBO’s Westworld meditate on potential humanity of AI. Although technological advancement has certainly fueled this current interest, we should also recognize the lasting influence of a film that was truly ahead of its time: Blade Runner (1982).
Tag: Denis Villeneuve
Questions of humanity and authenticity have always been at the heart of the Blade Runner universe. In Ridley Scott’s original film, Rick Deckard a “blade runner,” administers an “empathy test” meant to distinguish humans from realistic androids known as replicants, and fans have spent well over three decades debating whether Deckard himself is a replicant. Denis Villeneuve’s sequel, Blade Runner 2049 (2017), deftly maintains a sense of ambiguity regarding Deckard’s origins, and also finds new ways to wrestle with the question of what it means to be “real.”
By Brandon Irvine
Arrival’s premise, though fairly original as far as movies go, is so intuitively appealing that you would guess it must be derivative: Twelve alien ships have just shown up on Earth, scattered around the globe, and governments around the world are rushing to figure out why they’re here. Our protagonist is Louise, an academic linguist enlisted by the military to communicate with who- or what-ever is in the enormous pod suspended over a field in Montana.