The great Bette Davis had many cinematic tricks up her sleeve. Three of these held her in good stead over a nearly-seventy year career: her eyes, her voice, her cigarette.
Never enough can be said about the famous “Bette Davis eyes”; they had their own three-ring circus going; they cartwheeled, they jumped, they batted, they flew, they flirted, they lied, they fluttered, they drooped. They were wet with tears when she wanted to deceive some man. They raised their joys to heaven and poured their poisons into the cups of those who worshiped at their altar. Davis knew what to do with them, and even when she over-used or over-relied on them, there seemed to be a reason for it. Entities unto themselves, they worked overtime for her and made her the finest screen actress of her time. Continue reading →
“You probably think this world is a dream come true… but you’re wrong.”
From the minds of Henry Selick (The Nightmare Before Christmas) and Neil Gaiman (Sandman, American Gods), with musical accompaniment by They Might Be Giants comes Coraline, a dark, enchanting fable about the worlds we see and the worlds we want.
Guillermo del Toro’s Pan’s Labyrinth is a rich pastiche of mythological references that is both familiar and completely, breathtakingly unexpected. By combining ages old storytelling techniques with a fearless use of cinematic magic, del Toro manages to once again breathe a completely new spirit into the ancient battle between good and evil. The film is, essentially, two stories in one: first, the story of a post-Civil War Spain in which Franco’s regime is doing its best to root out the last of the opposition forces. Second, the story of Ofelia, a young girl with an incredibly vivid imagination who discovers that she is actually the spirit of the long-lost princess of the underworld. The two stories converge with Ofelia’s mother, who has married Captain Vidal and is very pregnant with his unborn child.