By Jessica O’Byrne
Pan’s Labyrinth – 2006 – dir. Guillermo del Toro
Guillermo del Toro’s Pan’s Labyrinth is a rich pastiche of mythological references that is both familiar and completely, breathtakingly unexpected. By combining ages old storytelling techniques with a fearless use of cinematic magic, del Toro manages to once again breathe a completely new spirit into the ancient battle between good and evil. The film is, essentially, two stories in one: first, the story of a post-Civil War Spain in which Franco’s regime is doing its best to root out the last of the opposition forces. Second, the story of Ofelia, a young girl with an incredibly vivid imagination who discovers that she is actually the spirit of the long-lost princess of the underworld. The two stories converge with Ofelia’s mother, who has married Captain Vidal and is very pregnant with his unborn child.