Haifaa Al-Mansour made her directorial debut in the 2012 film WADJDA, which chronicles the pursuit of a young Saudi girl who wishes to buy a bicycle. Al-Mansour brilliantly contrasts the modernity of the 21st century, with the traditional customs in an Islamic society. The film is full of contradictions; displaying an internal, private world of Muslim women, and the expectations in their external, public lives. Her protagonist, Wadjda, symbolizes youth, individuality, and progress. Her innocence harnesses a universal perspective of the first conscious achievements and disappointments of life.