Tag: Michelle Monaghan

December 15, 2016 / / Main Slate

If you look at the biggest neo-noirs of the aughts and squint, you can almost see a series of controlled experiments, each taking the noir concept in a new-ish direction. Memento filtered the grit of the genre through non-linear storytelling; Sin City was Grand Guignol, a comic book come to life; Mulholland Drive was a baffling art film; Brick was half farce, half tragedy and set in high school; and The Man Who Wasn’t There was, well, a Coen brothers movie.