Most Robin Williams movies are exactly that – they’re movies about Robin Williams, built around an explication of his outsized public persona. POPEYE, by the great Robert Altman, is a bit of an outlier in this regard. Williams plays the titular sailor with eccentric aplomb, but he rarely serves as the sole focus of his own movie’s frames. That’s thanks to the aforementioned auteur. For Altman, each actor was but a color he could smear onto his images; and though he seldom obtained a splash of paint as vibrant as Robin Williams, he never allows the performer to overwhelm the film itself. There’s only one author of this film, and his vision is overwhelmingly clear.