Femmes fatales are often revered by women, feared by men and adored by the camera. Within the first few minutes of Red-Headed Woman, we are charmed and seduced by Lil “Red” Andrews (Jean Harlow), despite her deceitful intentions and our moral sensibilities. She is an enigmatic figure who seems to be constantly playing roles, adopting different voices, performing for audiences.
In the opening scene, Lil excitedly reveals to her friend, Sally (Una Merkel), that she is going to surprise her married boss, Bill (Chester Morris), at his house that night to help him write some “important letters.” Sally claims that Bill is madly in love with his wife, but Lil persists. As soon as Lil’s husband walks into the bar and sees her gossiping, she puts down her bottle of breath-freshening spray and rushes over to him with an unthreatening smile now plastered on her face. She gushes, “Hello, hon!” It’s not long before he’s wiping her lipstick from his face with a handkerchief, while she’s fixing herself with a victorious smirk.