Tag: sex

March 22, 2011 / / Main Slate

Belle de Jour – 1967 – dir. Luis Buñuel

From the very first scene, Belle de Jour announces the collision of imagination and reality. A carriage ride through the woods is plausible until a young woman, Séverine, is tied up, whipped, and on the verge of being used by the coachmen, egged on by her husband. A cut to her bedroom reveals that this has only been her daydream; her husband is actually an amiable surgeon who respectfully sleeps in a separate bed.

This confusion between Séverine’s real and imaginary lives is one of the film’s strategies: Rather than use cinematographic effects like a color or gauzy effect to separate Séverine’s internal world from the external one, director Luis Buñuel only provides thematic cues — carriages and the mention of cats — to signal that what we are seeing is not real, and the fantasies are that much more potent for being almost indistinguishable from the reality.

February 9, 2009 / / Film Notes

By Chris Bamberger

TOP HAT (1935) dir. Mark Sandrich

In 2007 National Public Radio played an excerpt of Fred Astaire singing “Let’s Face the Music and Dance” and asked listeners to describe in a single phrase the quality of his voice. One participant’s entry was, “The boyfriend you longed for before you found out about sex.”

Oh, really?

Donald Spoto, in his biography of Audrey Hepburn, describes her one-time co-star as having “nothing erotic or even sensual about him… Fred Astaire was a gentleman up there on the screen—so much a gentleman, in fact, that there was never an atom of erotic appeal about him.”

It gets worse.

January 6, 2009 / / Film Notes

By Mel Cartagena

Videodrome – 1983 – dir. David Cronenberg

If at times you feel overwhelmed by the tidal wave of ‘entertainment’ that comes at you from your all around, then you understand how Max Renn (James Woods) was feeling in Videodrome. In his quest for the ultimate cheap thrill he finds himself caught in the zone between the real and the manufactured fiction he peddles.

December 31, 2008 / / Film Notes

By Peggy Nelson

In the Realm of the Senses – dir. Nagisa Oshima – 1976

Nagisa Oshima’s tale of sexual obsession, In the Realm of the Senses, retains the power to shock despite being over 30 years old.  Based on a true story, the film concerns one Sada Abe, found wandering the streets of 1936 Tokyo with her lover’s severed penis in her hand, who upon her arrest became a media sensation and folk heroine.  Realm features non-simulated sex between the actors, BDSM, graphic violence, and other controversial elements that may or may not appear depending on what version you’re viewing, and where you’re viewing it.   Widely banned upon release, it is perhaps Oshima’s best-known film.

February 8, 2007 / / Film Notes

Imagine that you’re an American director who – after ten years of helming popular television shows and working on the occasional film-for-hire – has become an overnight sensation. Your third feature, a sardonic war comedy with blood-drenched sequences and a passel of irreverent characters, has struck a chord with audiences who see the film over and over again. Critics hail you as an innovative force, breaking new cinematic ground with your observational style and inscrutable, yet perfect, new techniques. You’re nominated for the Oscar. What do you do to follow up?