Trainwreck held a lot of surprises for the year 2015 – mainly that Amy Schumer could ditch fart jokes and command an audience’s attention longer than the length of a Hulu clip and that director Judd Apatow’s career wasn’t on a steady decline. Though those revelations were nothing short of incredible in a summer season filled with Pixels and Ted 2, neither compares to the one-two punch of casting Tilda Swinton, the Oscar and BAFTA-winning actress, and then using every trick in the cosmetology book to disguise her as thoroughly as possible.
Tag: Tilda Swinton
“If I’m a storyteller, it’s because I listen.” says the writer and artist John Berger in one of the many luminous moments of The Seasons in Quincy: Four Portraits of John Berger, an invaluable document of Berger’s life and work co-directed by Tilda Swinton. Berger, who passed away on the second day of this year at the age of ninety, did so much to both enlarge and give nuance to our understanding of art, culture, and politics that it is nearly impossible to overstate the scope of his influence. That he and Swinton forged a decades-long friendship and gave us this film, thanks to Swinton’s commitment to film projects that transcend and often redefine boundaries, is yet another gift, one which offers critical insights about the peculiar historical moment in which we find ourselves, from their already generous careers.
I Am Love – 2009 – dir. Luca Guadagnio
I Am Love is the story of Emma (Tilda Swinton), a middle-aged wife and mother in a family of wealthy Italian industrialists. As she falls into an affair with a young chef and deals with the consequences of pursuing her passion, the film manages to be affecting and intense, but through strategies that are utterly distinct from anything in a typical Hollywood film.