I wanted to watch The Player tonight not only to see all the nice designer suits everybody wears in it from the 90s, but also to get a sense of what was called the developing shot. Now you might, if you’ve seen The Player, think to yourself, “well crap, they do a lot of long takes in that, don’t they? Where’s all the editing?”
Author: The Brattle Theatre
Thanks, Ned, for that introduction. It’s so great to see so many people here, willing to show up for 90 minutes of free air conditioning on a Monday night.
My name is Ezra Glenn, and as Ned said, I teach in the urban planning program at MIT. My background is on the applied side of the field – I worked for over a decade in municipal government, including stints as the director of planning for the city of Somerville and director of community development for the city of Lawrence. So I came to MIT having worked a lot in the actual making of cities.
Thank you so much for the lovely introduction, and thank you for everyone at the Brattle for inviting me to this. This is lovely and exciting, and it’s been delightful trying to think, what can I say about The Rocky Horror Picture Show? I mean, what is left to say about this film? Actually, there’s a lot I could say about this film, but I’m not going to say it all because I’m sure we’d all rather be watching the film.
This is the most classic of what we call the “cult films.” It is a timely commentary and a cultural touchstone. It is supremely dated, and yet, it exists in this weird eternal present for us. It’s a classic, but why is it a classic?
As part of the Boston Calling Music Festival in 2018, Natalie Portman curated a special festival of films at the Brattle Theatre. Her program, “The Female Gaze,” ran from May 22-24, 2018 and featured films with similar themes told from the perspective of either a male or female director. The following are her notes on the program in general and the specific films that she chose.