By Jessica Singer
Robert Altman’s Nashville is famous for effectively capturing a unique time and place in cultural history: the country music circuit of mid 1970s Nashville, Tennessee, America’s country music capital. Yet Nashville covers far more terrain than that for which it is most often given credit. Yes, metaphorically, the film serves to critique American culture, commercialism, and the political hypocrisy of the 1970s, but the values exhibited and explored here are quite universal and apply just as well to modern-day society. And really, this film is not just about politics anyway. It’s about people: the stories they tell, the ways in which they see themselves, and the ways in which they want others to see them. These characters feel real- they alternately exhibit vulnerability and pride, insecurity and vanity, stubbornness and tenderness. A web of relationships and circumstances inspiring all of these human tendencies would certainly sound like a lot to cover, but this seems to be the very story that Robert Altman, with his trademark style of ensemble filmmaking, was born to tell.