Author: Kathleen DeMarse

December 11, 2013 / / Main Slate Archive


Extra! Extra! Come one, come all to the Brattle Theater! Coen brothers’ THE HUDSUCKER PROXY rings in 1994 with campy hilarity! What, this is old news? We’re on the brink of 2014, and I’m dwelling on a film that came out in 1994? Well, according to the tagline for Hudsucker Industries (the fictional title corporation), “The Future Is Now!” By that irrefutable logic, 2014 could just as easily be 1994, and vice versa—if we take that tagline literally and refute the existence of linear temporality altogether. If the future is now in the past that means the past is now in the future! Where did the present go? Screenings of HUDSUCKER PROXY—produced in 1994, set in 1958—will surely continue to captivate present-day audiences; does that send the present to the past, or the past to the present?

October 17, 2013 / / Main Slate Archive


“The ZERO DARK THIRTY raid is not so much a payoff for the events that have been building onscreen, but is a masterstroke of fate.” – from Roger Ebert’s review of ZERO DARK THIRTY

As a member of the audience for Kathryn Bigelow’s ZERO DARK THIRTY, you might be partial to dissecting the film on a human rights or political perspective. You can try to digest the torture scenes, but will likely end up clenching your arms around your torso in protest. You might growl at the deliberately misogynistic dialogues while empathizing with Maya as a stoic heroine. She is too often antagonized for being a proactive, strong woman, after all. You might scoff at some obscure historical inaccuracies, blatant hypocrisy, or roll your eyes at how some portion of the timeline has been glossed over. Either way, based on true facts, somewhere over the course of two and a half hours, you are appalled. Is it cathartic?