Back in spring of 2012, the fuss for Steven Soderbergh’s MAGIC MIKE was accumulating. The trailers were met with an enthusiastic response from straight women and gay men. The film was marketed as a “girls night out” sex comedy, with lots of hunky male stars taking their clothes off. Of course, the film had some backlash—mostly from straight guys complaining about “male objectification” and how the movie looked stupid. Coming from an auteur like Soderbergh, known for TRAFFIC, SEX, LIES & VIDEOTAPE, and OCEAN’S ELEVEN, the film had a weird target audience. Half the audience wanted to see the abs and the dance moves; the other half wanted some Soderbergh goodness. To be fair, there is probably a decent sized overlap between the two halves.