Adolescence is a time of transition. Childhood slowly recoils in a cocoon and adulthood looms, almost threatening the child away. In Anna Rose Holmer’s The Fits, it is a transition so severe that it’s hard to know just what is about to emerge out of the cocoon and just what of the child will remain. The Fits is not only an allegorical poem about coming-of-age, but also a tale of becoming-a-woman. In the film, as in life, every girl goes through their own version of “the fits” to take their first step into adulthood (or more accurately, womanhood) seemingly unscathed, but forever changed.