Tag: Citizen Kane

November 10, 2016 / / Main Slate Archive


I believe there was a monument missing on my recent trip to the glorious ancient city of Rome: a great orator statue of the Orson Welles. Yes, a bronze cast of the bearded bard with a benevolent grin and his right arm would be purposefully lifted in the air. Many ancient Roman rulers, such as Marcus Aurelius, requested the sculptor to depict their right arm raised on their propaganda statues as the symbol of a great orator who has the approval of the people. Orson Welles won over audiences early on in his storied career as the booming voice on the radio programs March of Time (1935) and The Mercury Theatre on Air (1938). His mastery of storytelling achieved celebrity status, which was uncommon at the time for radio personalities.

The first time I watched CITIZEN KANE I was motivated purely by a sense of obligation. After years of hearing references to “Rosebud” and seeing the film top almost every list of the best movies ever made, I took the dive and watched the story of Charles Foster Kane for the first of many times. The layers of complexity that make the film so enduring for film lovers are the same qualities that make it intimidating to write and talk about. It’s difficult to extract the heart of CITIZEN KANE from its legacy, compounded by equal parts brilliance and decades of praise. In this way, I’m tasked with a mission similar to Jerry Thompson’s, the reporter who guides us through Kane’s life story, to add a new perspective to a subject that has been, “as loved and hated and as talked about as any man in our time.”

May 26, 2010 / / Main Slate Archive

By Peggy Nelson

Citizen Kane – 1941 – dir. Orson Welles

“Rosebud:” possibly the most famous single word in cinema.

Orson Welles was only 25 when he made Citizen Kane (1941), consistently nominated as the greatest film ever made.  Said to be based not-so-loosely on the lives of newspaper magnate William Randolph Hearst and the comedienne Marion Davies, and often taken as a psychological study of Welles himself, Citizen Kane traces a classic American rags-to-riches trajectory, as it examines the true cost of getting everything you want.

June 22, 2009 / / Main Slate Archive

Coraline – 2009 – dir. Henry Selnick

“You probably think this world is a dream come true… but you’re wrong.”

From the minds of Henry Selick (The Nightmare Before Christmas) and Neil Gaiman (Sandman, American Gods), with musical accompaniment by They Might Be Giants comes Coraline, a dark, enchanting fable about the worlds we see and the worlds we want.