What does one of the greatest directors of the twentieth century, who witnessed a devastating earthquake, several world and regional wars and the use of the world’s first atomic bomb, dream about? Perhaps unsurprisingly, devastation–in its most absolute and anxiety-ridden forms. AKIRA KUROSAWA’S DREAMS imagines the existential questions humans must face as a consequence of their capacity for annihilation, and the answers are remorselessly pessimistic. Though the oneiric segments of DREAMS may contain glimmers of beauty, particularly in the earlier episodes, ultimately, they leave the viewer as unsettled as the mind of Kurosawa.
By Peggy Nelson
It’s A Wonderful Life – 1946 – dir. Frank Capra
Recognized by the American Film Institute as one of the 100 best American films ever made, It’s a Wonderful Life (dir. Frank Capra, 1946) has been variously described as a heartwarming celebration of family values, an historical appreciation of vanished small-town life, “sentimental hogwash,” an indictment of centralized banking, and a communist manifesto. It is all of these things. And yet, it is also something more.
By KJ Hamilton
Dreams do become reality. But, whatever you do, don’t fall asleep. A Nightmare on Elm Street, in my opinion, is one of the scariest horror films of all time. I tried to figure out why as I screened the film for about the fiftieth time.
I think I have figured it out. It is one thing to be chased by a machete-wielding psychopath when you’re awake. You might have half a chance to escape, depending upon your role in the plot. But, when we sleep, our subconscious reigns; anything is possible. It is in this state that we are at our most open, most vulnerable. There are only two options: be asleep and dream or wake up. It is during sleep that the body replenishes itself; with the goal of awaking refreshed and renewed.