The Red Shoes -1948 – dir. Michael Powell & Emeric Pressburger
“Why do you want to dance?” asks Anton Walbrook as the ballet impresario Boris Lermontov in an early scene of Michael Powell and Emeric Pressburger’s 1948 classic The Red Shoes. “Why do you want to live?” is the immortal reply from flame-haired Moira Shearer’s Victoria Page, her words pinpointing the themes that The Red Shoes holds closest to its heart. That moment, and the film as whole, has carried incredible resonance for those who make or love art of any kind, those who see little to no difference between the will to create and the will to live.
Imagine that you’re an American director who – after ten years of helming popular television shows and working on the occasional film-for-hire – has become an overnight sensation. Your third feature, a sardonic war comedy with blood-drenched sequences and a passel of irreverent characters, has struck a chord with audiences who see the film over and over again. Critics hail you as an innovative force, breaking new cinematic ground with your observational style and inscrutable, yet perfect, new techniques. You’re nominated for the Oscar. What do you do to follow up?