The second act of West Side Story (1961) starts on a romantic note, but the film’s gang war soon sours romance into rumble. Even as Tony and Maria make plans to run away from the West Side, the tension between the Jets and the Sharks threatens to destroy their relationship before the lovers get their chance. Act II realizes this contrast between love and violence in its third musical number, “Tonight – Quintet,” in which the plot strands developed in the solo and ensemble numbers of Act I compete against one another and seek to drown each other out.
Tag: Jerome Robbins
In translating the groundbreaking 1957 stage musical, West Side Story, to film, the producers knew that a work whose claim to fame was its gritty realism should only be more true-to-life on the big screen. Robert Wise, a director better known for his noirish city dramas than fanciful entertainments, brought a down-to-earth sensibility to a work that, on stage, might seem to be simply a slightly edgier musical set against an urban backdrop. On film, we are thrust head-first into the streets, with their palpable energy and danger. Wise’s disinterest in theatrical razzle-dazzle is striking throughout, but especially in the film’s opening sequence: a bird’s-eye view of the Upper West Side playground in which we meet our two warring gangs, the Sharks and the Jets.