Tag: Rob Reiner

October 20, 2017 / / Scene Analysis Archive

There’s this little moment in Stand By Me that doesn’t need to be there, at least not to move the plot forward. In a film defined largely by the rowdy banter and camaraderie of a group of twelve-year-old boys, we find Gordie Lachance, our narrator and protagonist, sitting alone while the other guys sleep, reading a comic as the sun creeps over the horizon. Suddenly, a deer enters the frame and pauses a few feet from Gordie. The two briefly stare at one another before the deer moves on. There’s no music on the soundtrack, just the diegetic sounds of birds and the quiet noises that signal the deer’s movements. The whole encounter takes only a few seconds, but it remains one of my favorite scenes in the film.

February 9, 2016 / / Main Slate Archive

Cynics have a tough time during February. We are surrounded by the Hallmark romanticism of Valentine’s Day with every turn. Even those who seem so grounded get swept up during these few weeks. As a romantic cynic, it is tough for me to fully dive in to a romantic film; so many of them are saccharine, and ring hollow to us non-believers. Rob Reiner’s now classic THE PRINCESS BRIDE is different. Though it is drenched in romance and love, the inclusion of cynics within the film make it more relatable, and ultimately persuade the darkest hearts over to the lighter side.

April 4, 2007 / / Film Notes


By Rachel Thibault

More than any other genre in the ’80s, the fantasy/adventure film dominated. Broadly defined, these films ranged from the glossy blockbuster films of George Lucas and Steven Spielberg (RAIDERS OF THE LOST ARK, E.T, EMPIRE STRIKES BACK) to mainstream, postmodern comedies with sequels (BACK TO THE FUTURE, GHOSTBUSTERS), to the creature-features aimed at children (GOONIES, GREMLINS) and beyond to the absurd, futuristic, and often unclassifiable (BRAZIL, ADVENTURES OF BUCKAROO BONZAI). Although many fantasy films of the ’80s were marketed to young people between the ages of twelve and twenty-nine, a demographic that made up 75% of the movie-going audience, many films appealed to both children and adults, hoping to find the “kid in all of us.”