If one takes pleasure in the delectable delights of language, silence, music, design, photography, and the way all these elements are put together to create that wonderful art known as the motion picture, then a case can be made for TROUBLE IN PARADISE (1932) being the pinnacle of the form. Add the thrills of sophisticated subversion and perfect chemistry among the performers, and there can be no doubt that Ernst Lubitsch’s sparkling concoction is that rarest of achievements: a masterpiece that still feels modern and continues to entertain and inspire audiences more than eighty years after its creation, despite being pulled from circulation once Hollywood’s self-imposed code of censorship kicked in, in the mid-1930s, and not seen again until the late sixties.